Tagged: art

May 20, 2010

My First Tattoo

I’ve been tattoo shopping for a while now but could never make up my mind what to do. I talked to a lot of people and ran many a design past them to gauge opinions. The usual stock answer was always something like, “You have to pick it because it has to mean something to you.” Sure, that’s true. But a little help is always welcome. I had picked out a few designs that my wife cringed at or my friends would say were too cliche and generic.

I was at the diner one night, probably a year ago or something, with my friend Jim. We went to grammar school together and he has a really cool Jaws tattoo. We started talking about ideas for me and all of the sudden he just lights up and says, “I got it!” He knows I’ve always been a big fan of The Police. The band, not the law enforcement agency, though I have nothing against them either.

Anyhow, Jim suggested the cover of The Police’s album called Ghost in the Machine . It’s the one with “Every Little Thing She Does is Magic”, “Spirits in the Material World”, “Invisible Sun”, and some others. I always loved the cover of that album (which was designed by a guy named Mick Hegarty) because at first glance, it looks like just a bunch of weird seven-segment display symbols or digital runes or something – but they’re clearly not numbers.

Now, the seven-segment display had been around a while but it wasn’t until the 1970’s that the LED thing really went mainstream. If you’re like me, you remember when “digital watches” came out. These used that seven-segment display where you turn on or off any number of those segments to create numbers or letters.

In 1981, when Ghost in the Machine came out, the digital thing had been around a while but I don’t recall if it was ever used in “pop art” the way it was used on this album cover. There are no letters or numbers here and the segments are customized as if the design incorporates a strange hybrid of traditional seven-segment display and the more versatile sixteen-segment character block.

In any case, what you’re really seeing on the album cover are three faces of the three members of the band, The Police (Andy Summers, Sting, and Stewart Copeland). Look again – it’s them. In fact, I’m pretty amazed how many people have never noticed this…but more on that in a little bit.

So I carefully considered this as an option for a long time but I really wanted the first tattoo to be something with my kids’ names on it. I even put together a little something in Photoshop with two guitars crossed at the neck with banners on each side with the names on them. On top, there’s a winged heart with some music notes. Pretty nice, but pretty big, pretty expensive (I assume), and probably not a one session job. So I figured I’d keep saving until I got up a bunch of money and get that done one day.

Then, last week, I went to Las Vegas with my high school buddies because we all turned 40 this year. While walking around on Sunday night, I spied a tattoo shop and the bug hit me again. I knew I couldn’t get that huge thing I wanted but at the same time I felt like I should go home with more than a key chain or some other souvenir. I wanted to say, “Oh this? I got it in Vegas with my buddies!” I figured it would be small enough so it wouldn’t be too expensive and I could probably have it done in an hour or two. The guys were all going to see a show so the plan was simple. While they were gone, I’d meet up with an old friend of mine who lives out there and she’d drive me over to the place to get it done.

That’s pretty much how it went down. I even talked the guy down a little in price. There was no one in the joint on a Monday night so I guess he didn’t mind helping me out, which was nice. The whole thing took under an hour to do.

First he went online for a better photo than the one I had saved on my Crackberry. He printed one out and made a bluish stencil, which is sort of like one of those temp tattoos you put on kids. just slap it on the arm, peel it off, and there’s a light blue version of what’s going to end up on your arm. Then he started working on outlining the segments in black. When that was done, he filled in the rest with red. Pretty simple!

I have to admit that I was really braced for a painful experience because sometimes you hear these horror stories that make you nervous. Whatever this guy did, though, he did it well because it hardly hurt at all. It doesn’t feel like needles. It almost feels like scraping or light slicing or something like that. You’ve probably had worse in a doctor’s office. People’s tolerance to pain varies, I suppose. The guy was done before I even knew what happened. He just said, “OK, get up and take a look.” and there it was. No major pain, no tons of blood everywhere, no fuss, and it looked great!

He covered it up for me, said to leave it on for an hour and then just gave me some final tips and pointers for taking care of it. I was in and out in no time. It was a very pleasant experience, I’m glad to report.

Oh! But I forgot. Talk about feeling old…

When I showed the design to the tattoo girl at the desk (who was all of about 19), she had no idea what it was. I talked her through it. The artist who actually did the work on me, however, didn’t look like a young guy. I was guessing him in his 30’s. I was a little shocked to see that he also didn’t know what it was. I explained and even after that he held it up and said, “Does it go like this?” I replied, “Uh…no…that’s upside down, dude.” Am I really that old now?! He was a good guy though. Very friendly and no-nonsense at the same time. Plus he had a Mohawk. You gotta love a guy with a Mohawk.

I remember him saying to me, before the first needle touched my skin, “Welcome to your new addiction.” I won’t be one of those people that covers my whole arms or anything, but I’m pretty sure I’m gonna get my original one done (with the kids’ names on it) some time in the future, probably on the other arm.

So when we got back, we started playing penny slots (to waste time and get free drinks!) while waiting for the guys to get back from the show. The cocktail waitress asked what happened and I was tempted to go into this story about being shot for a second, but she realized what it was before I could say anything. I showed her the picture I had on my Crackberry and of course she said, “What is that?” I explained, “You know the band The Police? Sting? It’s an album cover.” She liked it more after that.

The guys got back and we took off the patch. They liked it too. From that moment on, however, it seemed that no one could recognize this design. Now, in a way, that’s kind of cool if you take my meaning. It’s a conversation piece now! I can dig that. I’m kind of interested to see who can recognize it.

We were playing roulette at one point and I noticed the pit boss looking at me. This went on for a while. He finally walked by and said, “I’m trying to figure out what language that is.” I talked him through it. He liked it after that, too.

So the night went on like this but at one point, at a poker table, two British fellows walked up and before they even sat down, one looked at me and went, “The Police!” I was so excited! I had to tell him what album it was but still, that was cool. He was the only person in Vegas to recognize it.

I posted the photo up on Facebook and about 3/4 of the comments were to the effect of “What is that?” Only some of my musician friends got it, of course. Nothing wrong with that though! I’m enjoying explaining it to everyone.

In the end, I’m happy with it and I’m glad it’s starting conversations. In fact, while I was still in “thinking mode” last year, I went on the net to see if I could find anyone else who had the same tattoo done. Believe it or not, I could not find one photo. That most certainly doesn’t mean I’m alone but if you search for something like a yin-yang or a winged heart, you’ll come up with lots of results. So, that’s pretty cool, too.

I have a tattoo that I like, inspired by music and a good band, and I have a fun story to tell. Mission Accomplished, I say.

Lou's News / Music

May 8, 2010

Damaged Goods

I’ve been quite busy the past year writing, recording, re-recording, compiling, plotting, scheming, planning, and you get the idea.

I think that 14 songs seems like a good enough amount for a formal release. Why 14? No idea. It just seems like a good number to me. I already have more songs in the works that will probably end up on the second release unless I decide to squeeze some more onto this one. I’m enjoying the number 14 though. Paul Westerberg’s first official solo record (if you don’t count the Replacements’ All Shook Down as a Paul record) was called 14 Songs. So why not. There must be some good karma there someplace.

Anyhow, the name of the record will be Damaged Goods. I could probably come up with some wacky story about why I’m calling it that, but that story would be totally untrue. Here’s the true story, if you’re interested.

In the past year when I started writing and recording this batch of original tunes, I had to decide if I was going to wait and not release anything until the end or release the songs a few at a time. I decided to release the songs a few at a time as “singles” and then when I felt it was time to call it a record and start playing some gigs, I’d compile them all into one package. So here I am at that point, but I needed an album cover and a name. So I started messing around in Photoshop; trying out some different background textures. I came across this one that looked like cardboard but with a glue blotch or something on it. It caught my eye and I used it. I was just going to use it for the background but then as I was playing with the color, I thought the image looked kind of interesting as it was.

At this point I didn’t have an album title. I didn’t want to have a “title track”, so to speak; use one of the song titles as the album title. I had a few funny ideas like calling the album Lou Tambone’s Greatest Hits since it was my first record under my own name. That was just me trying to be funny. The truth of the matter is while I was designing and playing with this “background” texture, the phrase “damaged goods” popped into my brain for some unknown reason. I guess I was just thinking of a box with some damage done to it and this looked like it.

So, I played with the blending modes a little, changed some colors around, added the logo text and the scripted words at the bottom, threw a faded stamp on the left (upside down) and that was about it. Instant uninspired album cover.

I’m not too deep, folks. Don’t ever go trying to read all kinds of crazy meanings into the stuff I do. 🙂

My other issue is that I’ve uploaded all these songs to various places like Nimbit, Reverbnation, iLike, Last.fm, and others so I have to go into each of these places and see if I can compile the album using the already existing tracks, or if I have to re-upload everything. I also have to write up some liner notes and all that mess. Once I get all the songs together in a running order that I’m OK with, I’ll see about calling it an official release. However, I wanted to post the album cover at least, just for fun. It’s nothing all that special but I enjoy the simplicity of it for whatever reason.

The other thing I guess I should say is that this record is going to be a work in progress of sorts, even after I call it a record. Some of the songs still need remixing. I’ll probably keep fixing things after it’s released and try to let you know. I’ll just upload and overwrite the old songs with the new ones and things should be pretty seamless and transparent to anyone on the other end of things. When I feel the songs are produced well enough, perhaps I’ll actually press copies but I’m not thinking about that really. For now, I’ll just make the art and liner notes all available via download.

So, enjoy the cover. All the songs are on the music player here on the site (or at the links I have listed) so you can hear the whole thing now. This official “release” is really just a formality. It makes me sound like an actual musician when I can say stuff like, “This is from my album Damaged Goods, which you get get at the merch table.” Yay me.

More songs and records coming soon. As for gigs, I’m putting my energy into that also because I feel the songs will “pop” live and I love playing out. It would be nice to play some places outside of my local area for a change. Small steps.

So thanks for reading and look for more news soon!

Lou's News / Music

April 19, 2010

Every Song Tells a Story

Art lends itself to interpretation. Thus, when it comes to most art forms, the artists tend to shy away from explaining themselves or the motivation behind their finished product. This way, each person can look or listen and take away something different. It’s a good concept that I have trouble disagreeing with.

I do, however, think it’s just a matter of opinion. There are some artists who go the other way and feel comfortable explaining themselves. I appreciate this a little more because I’ve always been a “behind-the-scenes” kind of guy. I like knowing what makes people tick. I enjoy documentaries and (informative) commentary from the artistic minds that conceive the pieces I like.

There’s nothing wrong with leaving things open to interpretation. There’s nothing wrong with artistic explanation. End of story.

Musicians are also artists; creating something from nothing. Because of my inquisitive nature, I love reading about songs that I love and what inspired them. There are some songs that I like but have no idea what they mean, and in some cases, neither do the artists! I remember seeing an interview with Bernie Taupin once where he practically begged the interviewer to tell him what “Take Me To The Pilot” was all about. Bernie admitted that he had no idea. Elton John was similarly perplexed. Great song, however. Art doesn’t always have to have a specific meaning. There’s something to be said for eye/ear candy.

As for me, I find it not only fun but in a weird sort of way cathartic to share the stories behind every song I write. I’m reminded of Rod Stewart’s song, “Every Picture Tells A Story”. In this case, I guess you’d say, “Every Song Tells A Story,” but it’s the same concept. I don’t know the exact statistic but I’d guess that upwards of 90-95% of the songs out there tell some kind of a story. Maybe more, maybe less if you factor in things like instrumentals, jingles, and so on. Who knows? I was never a fan of statistics anyhow.

What I can do is relate all this to my own songs and say that yes, every one has some kind of story. Not a purpose or a deep theme, or anything like that. But there’s always a story even if it’s just about the actual process and not about the song itself, if you catch my meaning.

What I’d like to do on the site is randomly pick songs and talk about the concepts and recording processes behind them. Where did the idea come from? What changed from start to finish? What problems occurred? What choices were made to overcome these issues? Did I enjoy myself?

I want to do this as much for myself as for anyone who’s remotely interested in reading this type of stuff. It’s good to remind myself of what I was doing and thinking at the time because all those details tend to get lost as the years go by. Why not keep a log of sorts? Isn’t that what these websites are sometimes for? Sure. It’s a bit self-indulgent but I actually enjoy writing about the songwriting process. It may sound crazy, but it helps me become a better songwriter. So indulge me.

Starting soon, look for some behind-the-scenes ramblings about my songs and where they came from. Will this interest you? Maybe, but probably not. I’m not sure anyone really likes my songs at all and that doesn’t concern me, really. Sure, it would be nice but I’m the first to admit that they’re not anything great or important. This is something I do for fun and for personal release. I do it because I can. They’re only important to me because I created them.

For those people out there like myself, however, who enjoy reading about songwriting and music recording, these stories will be for you.