Every Song Tells a Story: One More Round
I got the idea for “One More Round” while thinking about drinking songs one day. I thought to myself, “I need a good drinking song.” Most of the gigs I play are in bars and clubs and everyone’s drinking, so why not? Let’s get them invested and give them something they can relate to, right?
A simple drinking song wasn’t good enough for me, though. Being a fan of artists like John Lennon and Paul Westerberg, I admired their use of double entendres and wordplay. One of Paul’s more famous twists (and he used it in multiple songs) is when he sings something about “whose Suicide you’re on.” I’ve always loved that one.
So it occurred to me at some point that the term “One More Round” could actually mean more than one thing. One more round of poker. One more round of golf. One more round of drinks. One more round of applause. That was all I needed to bang out the lyrics in about five minutes. While writing the lyrics, the chords took shape in my head and yes, it was that simple.
It’s by no means a complicated song. Not counting the bridge, it’s all of three chords but many a fun song has been created using three chords, right? It became quite popular at shows so we often close with it. It’s a good one to jam to, has lots of good energy, and gets people singing along. Can’t ask for more than that.
Once the lyrics and chord progression were in place, the recording was pretty simple. From the get-go, I knew that near the end I wanted to have a drums-only chorus section which would be where I’d try to get people to sing along at shows. So while recording the drum track (which I usually do first) I made sure it happened. I didn’t have a bridge in mind so I just played some hits and fills and figured I’d play something over it later, which I did. I do this a lot with songs where I don’t have a specific part figured out in the pre-composition phase. Gotta keep moving forward, right?
I used my trusty Rickenbacker 4001 bass and my ’52 Reissue telecaster for the basic tracks. For the missing bridge parts, I played D-E-F#-A and backed that up on guitar. Easy! After that, I threw an organ backing track down which I hope to insert into the live shows once I get a good keyboard player. I would love to have a good organ part there. Mine is pretty basic.
It was all guitar and vocals after that. The lead guitar parts are always tough for me. I experimented a little with acoustic slide guitar. I can’t say I’m totally thrilled with how it came out. I split the solo into half acoustic slide and half electric slide. The electric part came out better. When we do this song live, I actually play harmonica instead and like that better. If I ever re-record this one, I’ll do that instead.
The lead vocal was easy to do and everything just fell into place exactly as I heard it in my head. The backing vocals are a little weird but somehow they work. I’m sure a real singer or vocal coach or producer might cringe a little listenting closely, but honestly, I don’t care. When we play it live, it’s more of a gang vocal thing, plus the crowd is always singing along, it seems.
On the whole, I think this one only took a few hours to complete. Not bad!
I’m tired of holding
I’m tired of folding
I ain’t seen a face in forty hands
You run your mouth
And I’ll run my business
Baby I was born to take this chance, so…
Rock me baby – Gimme one more round
Rock me sugar – Gimme one more round
Rock me honey – Gimme one more round
Rock me baby – Gimme one more round
Tap the ball
Drop it in the cup
That’s a big eighteen, baby shake my hand
Now go get your bag
Meet me at the One
Let’s tear the green grass up again
Sun’s going down
I find a seat
Have a drink, maybe find a new friend
I check my watch
It’s just 3am
It’s a crazy night – we can’t let it end, so…
I take the stage
Play my guitar
Make you smile, make you sing along
Don’t sit there staring
Get up on your feet
Put your hands together, wanna hear you all night long